Maidaanam

Maidaanam

Culture, History, and Politics from the Deccan and Southern India

  • Facebook
  • Twitter
  • Instagram
  • YouTube
  • Home
  • About
  • Essays
  • Photography
  • Translations
Maidaanam
  • Facebook
  • Twitter
  • Instagram
  • YouTube
  • Facebook
  • Twitter
  • Instagram
  • YouTube
  • Home
  • About
  • Essays
  • Photography
  • Translations

Authors

  • 1 Maidaanam
    • When Persian was an Indian Language: The Fables of Jameh ul-Tamseel from Medieval Hyderabad to Modern Iran
    • Kannada Modernism in Hyderabad: 5 Poems by K.V. Tirumalesh
    • Extrajudicial Killings in India, Then and Now: Revisiting the work of K. Balagopal
    • Who is Saibinn Mai for the Bombay Catholics?
    • A Semiotic Storm: The Afterlife of Sir Arthur Cotton
Maidaanam

LATEST POSTS

When Persian was an Indian Language: The Fables of Jameh ul-Tamseel from Medieval Hyderabad to Modern Iran

June 29, 2022July 1, 2022

Kannada Modernism in Hyderabad: 5 Poems by K.V. Tirumalesh

June 6, 2022June 6, 2022

Extrajudicial Killings in India, Then and Now: Revisiting the work of K. Balagopal

May 23, 2022May 23, 2022

Who is Saibinn Mai for the Bombay Catholics?

February 25, 2022February 26, 2022

A Semiotic Storm: The Afterlife of Sir Arthur Cotton

February 3, 2022February 3, 2022

FEATURED POST


Where Lies the Deccan? Notes on Vagueness, Persistence, and Possibility
4/20/2021

POPULAR POSTS

  • Deccan Vanguard: Rediscovering the Forgotten Revolutionary Srikishen Balmukund and Anticolonial Nationalism in Princely Hyderabad
  • The Fifth Minar: 3 Urdu Poems by Makhdoom Mohiuddin (1908-1969)
  • Forty Years of Agrarian Change: The Fate of One Landlord and One Laborer in a Telangana Village
  • Sex, Gossip, and Scandal in 1940s Hyderabad: Aziz Ahmad’s Novel Shabnam
  • Telugu Film Songbooks: New Sources for Gender and Caste History

Maidaanam
CULTURE, HISTORY, AND POLITICS FROM THE DECCAN AND SOUTHERN INDIA
  • About
  • Contact
  • Subscribe
  • Submissions

All words and images are © Maidaanam.com unless otherwise noted. We use a Creative Commons 4.0 license and request our work be cited with a link and attribution.

  • Facebook
  • Twitter
  • Instagram
  • YouTube